Love animation? Let me introduce you to Latvian filmmaker Gints Zilbalodis

You probably haven’t heard of many Latvian films despite it having one of the most vibrant cinematic traditions out there. Just like the Philippines, none of its Oscar bets have been nominated ever since it started submitting entries following the restoration of their independence from the Soviet Union in 1992 (we first submitted “Genghis Khan”…

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What we learned about parents in “I Go GaGa: Welcome Home, Mom”

Before anything else, let me just remind you that two Japanese series—”Downtown Rocket” and “Rikuoh”—are available online for free in the Japan Film Festival website. You have until tomorrow, July 3, to watch all episodes. “I Go GaGa: Welcome Home, Mom” (ぼけますから、よろしくお願いします。~おかえりお母さん~) was part of the lineup—the only documentary—that Filipinos could watch for free during…

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Human rights, diplomacy, capitalism, and the gender problem in 1957’s ‘Badjao’

Badjao is a film relevant now more than ever. It is a lesson on diplomacy amid conflicts concerning territories. It does not shy away from criticizing capitalism as the root of all conflicts. But as a product of its time, the film has a problem when it comes to gender, something that we must also address if we want a thorough discussion of the film’s impact on contemporary viewpoints.

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